Stuck in the Middle

East Mitten captured by Z 6III / Z70-200f2.8II

It doesn’t matter if it’s West Mitten or East Mitten in Monument Valley, every sunrise I tended to put them dead center in the frame! I sure didn’t realize it while I was there, and in fact, it was a week after finishing all the images from the week that the pattern registered with me. I still love the images, that’s not the issue. It just seemed odd to me, so I had to do a dive to see if I could figure out why I was drawn to doing that. The first common thread is that all the images were shot with the Z70-200f2.8II. Next, they were all taken before sunrise. Lastly, they were all taken from the balcony of our room. I would just seem that’s how the heart thought the elements should be arranged. I was stuck in the middle.

Lots of Change in a Short Time

Kodiak Brown Bear captured by Z 8 / Z600f4TC

They were new to us, and we to them. Bears tend to do one of two things, in my experience, when they see humans, walk in the opposite direction or ignore you. In this case, we were in a boat, and while the engines had been cut and we were drifting with the tide, this mother and cub didn’t know what to make of us. While mom was checking us out, the cub, which had been playing in the kelp, why we stopped to watch, walked and hid behind mom, just for a moment or two. Then its curiosity got the better of it. A small COY, it had grown quite a bit and had its winter coat coming in. In a couple of years, it will be as big as its mom and just as smart, and just as spectacular. It will go through lots of change in a short time.

Promise of the New Day

Monument Valley “Classics” captured by Z 8 / Z24-70f2.8II

You’re on location you’ve spent lots of time and money to arrive at. You simply walk out the door of your home. You’re there because of the promise of the possibilities life might bring to your viewfinder. The only way you find out the promise of the day is to meet it at least halfway. You gotta show up! Not talking just physically, but technically and emotionally, ready to take in what you see and feel and make that into a single click. We fail at that at times, that’s part of the process and how we learn. There are times when we succeed, and those are the ones we treasure and push us for more. That’s the life of a photographer. We’re always greeting the promise of the new day.

It’s Another Sign

White-tailed Deer fawn captured by Z 9 / Z600f4TC

Say hello to Scratch! One of the five fawns born on the property this spring, if you look at it left hind leg, you see a kinda nasty gash in its leg. It’s how I recognize Scratch. Now you might think the fading spots on its flank are the sign I’m talking about, and while that’s a good sign that fall is here, it’s not the sign I was thinking about. Rather, the fact that Scratch and the other four fawns no longer care about me or, more importantly, Maggie when we’re out and about. Scratch actually walks up to within six or seven feet of me, like it did this evening. That tells me it’s Sept, it’s another sign.

Hard to Shake It!

Kodiak Brown Bear captured by Z 9 / Z600f4TC

While the weaning summer has me missing certain aspects, the promise of fall and working with mammals is exciting! I have a number of mammal adventures on the docket for the fall, Kodiak Brown Bears are at the top of the list. The planning to be with them started nearly a year ago, that’s a long time to wait, but it’s required. Started with getting a new style of waders and boots as well as warming up the fly fishing arm. Yeppers, we do both so being prepared for both is a must. The biggest thing is going through previous images to relearn the lessons and set new goals with the new opportunity. This female was fishing with her feet for spent salmon, coming up from time to time to breathe and, obviously, shake. The year has gone by fast since last time with them, which is a two-edged sword. Can’t believe fall is almost here, it’s hard to shake it!

Simple Elements

Hardy Creek, MT captured by Z 8 / Z70-200f2.8II

Putting the viewer of our photograph next to us when we took the photograph is just part of the journey. We also need them to feel the heartbeat of that moment that made us stop in the first place. Adding to this is bringing a visual depth to our landscape photograph so the viewer can walk through it over and over again. In this pursuit, lots of small subtleties add up to big drama. Case in point, looking down the Hardy Creek canyon, MT. The foreground darkness brings up mystery while the soft clouds’ brightness pull the eye through. There is layer upon layer, each one a tad lighter until one comes to the God beam that then, brings the eye back to the foreground to enjoy the journey all over again. The drama comes from a bunch of simple elements.

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